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Lucas Gets His Revenge
STAR WARS: EPISODE III -- REVENGE OF THE SITH
RATING: B

Starring: Starring
Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid,
Samuel L. Jackson, Christopher Lee Anthony Daniels, Kenny Baker,
Frank Oz. Music by John Williams, Produced by Rick McCallum,
Written and Directed by George Lucas.
Rated PG-13, Running
Time 142 MINS, 2.40:1 Anamorphic Scope Aspect Ratio.
I guess
it's pretty obvious that I'm a die-hard "Star Wars" fan.
Well maybe not a die-hard fan, you'll never see me dress up
in a "Star
Wars" costume. Okay, I'll admit, that's a lie, but
who has never dreamed of wielding a lightsaber or traveling
the galaxy? George Lucas's space opera has touched the
lives of millions and has reached fanatic and almost religious
proportions. There are those who accept the films as
pieces of entertainment and others whose lives revolve around
it. One thing is for sure and that is the series has
had a major impact on the way films are made and marketed today.
George Lucas is no doubt an innovator, but personally with
his unlimited resources, I'm extremely enthusiastic about his
return to more experimental filmmaking. In the meantime with
the release of "Revenge
of the Sith" the "Star Wars" movie saga is about
to come to a close.

Three
years after the events of Episode III, the Galactic civil war
known as the Clone Wars are in full swing. The conflict
led by former Jedi turned Sith lord Count Dooku (Christopher
Lee) has been brought directly in orbit of Coruscant, the capital
planet of the Republic. In a bold move the Separatist
forces have kidnapped Palpatine (Ian McDiarmid), Supreme Chancellor
of the Republic. In one of the most beautifully designed
action sequences of the entire saga Anakin Skywalker (Hayden
Christensen) and Obi-Wan Kenobi (Ewan McGregor) pilot their
star fighters in an attempt to reach the flagship of General
Grievous, a lethal cyborg and commander of the enemy droid
army. Not only is this wild ride through the battle visually
stunning, but it's mostly done in one camera take with great
attention to detail. The final space battle of "Return
of the Jedi" pales in comparison as the camera tracks
our two heroes, swooping between massive starships and explosions.
Obi-Wan and Anakin soon land aboard the lead starship and engage
in a game of cat and mouse with robots before confronting Count
Dooku and his apprentice General Grievous. Grievous is
a part alien, part machine computer generated character skilled
in lightsaber play despite an interesting asthmatic cough. Once
Anakin and Obi-Wan rescue the Chancellor they find they must
crash land the starship on the planet below before it burns up
in orbit. As our heroes return home victorious, Anakin
secretly rendezvous with his wife Padme (Natalie Portman) and
discovers that she is several months pregnant. Despite
the fact that exposure of their relationship could threaten their
careers, Anakin is pleased at the news and sees it as a blessing.
As
the war rages on several star systems, the Jedi Council determine
that to put and end to the conflict General Grievous must be
captured. They are also uncomfortable with the fact that
Palpatine has remained in office for such an extended term and
that his emergency powers granted by the Senate continues to
grow. The politics of the "Star Wars" prequel
trilogy have always been convoluted and incensed fans with too
much exposition, but "Episode III" sheds some light
on the heart of the situation. Palpatine oversteps his
bounds by requesting that Anakin become his personal representative
on the Jedi Council. The council is aware of Anakin's growing
power, yet despite the fact that he has been prophesized as the
chosen one to bring balance to the force, they feel he is too
young for great responsibility. He is granted membership
but not made a Master Jedi, which incenses Anakin because he
feels he has earned a diplomatic position. The council
puts further pressure on their young charge by encouraging him
to spy on the Chancellor's dealings.
Anakin
experiences turmoil brewing within him as he struggles between
his allegiance to the Jedi and his growing friendship with mentor
Palpatine. He sees the war as a conflict destroying the
Republic and disagrees with Padme who feels they may be on the
wrong side. "You sound like a Separatist," he
angrily tells her when she expresses that the Chancellor should
resort to diplomacy instead of military force. Anakin has
more than politics on his mind as he suffers from horrible nightmares
in which Padme experiences a dark fate. Hayden Christensen
received much criticism and blame last time for a performance
that was hindered by a poorly written role. Here we see
that Anakin is still impulsive and headstrong, but has also matured
and Christensen's physical and vocal performance shows confidence
and a sign of the man we know he'll become. Anakin also
knows that his dreams have a habit of coming true just as he
foresaw his mother's death. Master Yoda (Frank Oz) counsels
Anakin that fear of loss is what ails him and can lead to the
dark side. He must let go of his attachments is he is to
find peace, but Anakin is too emotionally attached to Padme and
his fear will lead to his downfall.
As several star systems suffer from attack by Separatist forces,
Yoda journeys to the Wookie planet of Kashyyyk to lead a defense.
While Anakin struggles to be the Jedi he knows he should be,
he's also dismayed that Obi-Wan is chosen over him to lead an
attack on General Grievous who has been located on the planet
of Utapau. His
confidant Chancellor Palpatine is well aware of his anger and
desire for more responsibility and the fact that he once slaughtered
a tribe of Sand people over the death of his mother. He
begins to place doubt in Anakin's mind over whether the Jedi
trust him and reveals he knows a thing or two about the Force.
On
Utapau Obi-Wan locates Grievous and leads an attack with an army
of clone troopers. Back on Coruscant, Anakin's nightmares
progress and he discovers the true identity of the Sith lord
Darth Sidious. Apparently the "Phantom Menace" is
none other than Chancellor Palpatine himself, who staged the
blockade of "Episode I" to achieve sympathy for Padme's
homeworld of Naboo so that the Senate would elect him Chancellor.
He then recruited fallen Jedi Count Dooku to rally a war against
the Republic, legitimizing his emergency powers and the creation
of a clone army, which he completely controls. Now he has
set his sights on Anakin, the chosen one created by the Force
itself, to become his new apprentice. Anakin is torn between
his loyalties to the Jedi, but intrigued that Sidious claims
to know how to use the power of the dark side to preserve life.
That skill could save Padme but Anakin knows that it will come
at a price.
The essence of "Revenge of the Sith" is how Anakin
Skywalker made a deal with the devil and sold his soul, ultimately
becoming the villain we know as Darth Vader. Vader is perhaps
the most recognized and beloved villains in cinematic history
but this story of his origin portrays him in a new light. In
the first two episodes we saw him grow from a young boy "who
knows nothing of greed" to a bright and skilled yet impulsive
young man. Here we learn that his downfall did not simply
begin as a lust for power but the desire to save the love of
his life. Christensen's performance works when he is a
confident Jedi and skilled do-gooder and the romance between
he and Portman is more believable and mature. But when
his emotions rage and he gives in to his impulses it doesn't
seem very credible how quickly this young man "flip-flops" to
the dark side. Sidious does manage to convince Anakin that
the Jedi are corrupt and that he wants to bring about an age
of peace, yet the transition isn't gradual but rather immediate.
There’s
also little remorse from Anakin for his actions save for a single
tear.
Lucas had three films to play this transformation out across
and although hints of tragedy were played in "Episode II" the
full realization of that tragedy is too immediate here. A
factor that could have been used dramatically was the fact that
Anakin should have blamed the Jedi for not allowing him to free
him mother from slavery years early, but that's just a missed
opportunity. The Sith see the Jedi as corrupt, a sort of
gentleman's club that only takes action when it suits them. That
isn't far from the truth and the balance to the force that Anakin
was prophesized to bring unfortunately included them being wiped
out. Though Anakin does join the Sith he eventually destroys
them and achieves redemption when he sacrifices his life to save
his son Luke in "Return of the Jedi."
Darth Vader
is a greatly feared cinematic villain, so it is with great difficulty
to imagine an irrational and whiny young man behind the iconic
mask of fear. Then again in the original trilogy, Vader
was a bit impulsive and had difficulty controlling his anger.
In the original "Star Wars" or "The Empire Strikes
Back" he was always either choking an insubordinate with
the Force or executing them, so it's possible the irrational
Anakin only slightly matured under the Emperor’s tutelage.
What's interesting dramatically in this film is the triangle
between Anakin and the Dark and Light side of the Force. While
Natalie Portman is one of the three leads along with McGregor
and Christensen, her screen time is limited because McDiarmid's
Palpatine has a more crucial role.
McDiarmid
has appeared in four of the films in the six episode series (five
if you count his recent inclusion in the "Empire" DVD)
and it's interesting to see an actor play an older and younger
version of the same role. It's clearly obvious to the experienced
viewer as far back as "Episode I" that he has been
the main villain and almost a joy to watch him play as a mild
mannered politician in public and a power-mad evil mastermind
in private. We first saw him as a sadistic, elderly shriveled
man in "Return of the Jedi". He tempts Anakin
with the mysteries of the ancient evil order known as the Sith. Unlike
the Jedi, the Sith lack compassion and self-sacrifice for the
greater good; choosing to reflect their energies inward and use
the force for evil and to gain power. Here the true extent
of his power is revealed and he's not the timid man the Jedi
believe him to be nor is he unfamiliar with a lightsaber. A
dazzling confrontation with Sam Jackson's Mace Windu is not nearly
as impressive as his showdown with Yoda, which finally provides
an answer to why the Jedi Master went into hiding. A battle
of wits would have been far more interesting than a physical
one, but this is a "Star Wars" movie after all.
Ewan McGregor's
Obi-Wan Kenobi is the third point of the triangle and once again
gives the best performance of the film. What I enjoy is
that he isn't attempting to play a younger version of Alec Guiness
but that of the character. It isn't difficult to see that
the wise old wizard of the original trilogy was once a brash
and adventurous young man who stood up for the ideals of democracy. As
I said the triangle between Anakin, Obi-Wan and Palpatine is
the most interesting dramatic element of the film, but it is
also one of the weakest. Palpatine's seduction of Anakin
is not completely developed nor is the relationship between he
and Obi-Wan. The love and respect is there as Anakin constantly
attempts to honor his master and Obi-Wan continually supports
him despite the disappointments, but the fall-out is not as powerful
as it should be. After performing duties for Palpatine
Anakin is all too quick to oppose, Obi-Wan the man who practically
raised him as a surrogate father. He's raging with confusion
and anger, but is it really justified just because Palpatine
told him the Jedi are evil? Even Obi-Wan is angry with
Anakin for accepting such a lie. Only McGregor holds up
the emotional side of the equation with believability as he struggles
to cope with the path Anakin has taken and the fact that he’s
emotional divorced himself from all who love him. His disappointment
isn't that of anger but of guilt as he says "I've failed
you Anakin, I've truly failed you" while they engage in
combat. "You were supposed to destroy the Sith not
join them!"
"Episode
III" could have used more polishing in the dramatic department,
but for the first time in this prequel trilogy the dialogue doesn't
sound as if it was written poorly on the back of a napkin. Lucas
is known for his inept ability with dialogue and if there's any
truth that celebrated playwright Tom Stoppard fine-tuned the
screenplay it shows. Unlike the classic trilogy, this prequel
series is more about spectacle than story and what we see on
the screen is truly spectacular. The environments and exotic
locales of alien planets are more believable that the previous
films as well as the computer generated characters.
General
Grievous's screen time is not very extensive, but this computer
creation interacts with live actors very believably and with
lethal results. Although Lucas's ILM is the premiere f/x
house in Hollywood, their rival competition are beginning to
surpass them. Films like the "Matrix" and "Lord
of the Rings" trilogies had better flesh and blood CG characters
and made digital face replacement more realistic. No matter
how hard ILM have tried I can plainly see that they've taken
Ian McDiarmid's or Chris Lee's faces and pasted them onto a younger
stunt double wielding a lightsaber. They almost look like
video game characters. The film is book-ended by two rather
exciting duels between Yoda and Palpatine and Obi-Wan and Anakin,
the latter being the most impressive. It's the face-off
that fans have waited decades to see as Obi-Wan stands up to
his apprentice on the lava planet of Mustafar, the result of
which is the birth of Darth Vader. The confrontation could
have played longer with greater emotional intensity, but its
construction and the geography of the action make it work.
I don't
want to give the impression that I was disappointed with "Episode
III"; it has the greatest dramatic depth of the last four
movies. We all know what's going to happen, just unsure
of how it will happen and the film succeeds in making you feel
uncomfortable as events unfold. Still as a "Star
Wars" fan
I wanted more from this entire prequel trilogy. The story
that Lucas has spread out over three films could have been
told in one and the exposition has been so drawn out that it’s
exhausting to try and keep up with it or even care. I
did not want every question about this era in "Star Wars" history
answered but there is much more I wanted to see. Missing
are the fate of Obi-Wan's mentor Qui-Gon Jinn (Liam Neeson)
who is mentioned by Yoda to be reaching out from the afterlife,
but it’s never shown. Also gone is the appearance
of a younger Senator Mon Mothma, the leader of the future rebellion
who appeared early in "Return of the Jedi". She
was to be played by Australian native Genevieve O'Reilly and
there is even an action figure of her character on toy shelves
right now. We also never learn the true meaning of the
name Vader and his screen time in that classic armor is limited.
What
bonuses true fans do get is the appearance of Chewbacca (Peter
Mayhew) as he protects Yoda on Kashyyyk and the reason why C-3PO
(Anthony Daniels) never remembered these earlier years. We also witness
the adoption of baby Leia by the honorable Bail Organa (Jimmy Smits)
and the moment when Darth Vader takes his first breath is tragic
yet it will make you smile. Although this is the darkest film
of the entire series it does end in light as we witness the birth
of "A New Hope". The twenty-year gap between "Episodes
III and IV" tie together better than any of the films with a
final shot that recalls the most powerful image of the "Star
Wars" saga. Despite the PG-13 rating this is an appropriate
film for children who have been raised responsibly. The violence
is the result of lightsaber action, which any well-rounded child
can determine is an object of fantasy.
John Williams's
final "Star Wars" score features new themes that aren't
as memorable as those of the classic trilogy, but are woven into
this space opera quite well including one cue with a Middle-Eastern
tone. I just wish that Lucas's intervention as an editor
did not constantly interfere with Williams's musical structure
by re-using and inserting music cues from previous films that
are too familiar. The best way to see and hear all of this
is to find a digital presentation in your area. The space
battles do look more detailed but it’s the texture and
skin tone of the actors that digital photography truly brings
to life. Even though I experienced a digital version of
this film it was not the final version, which is said to include
slightly more footage as well as the fate of Yoda.
So has
the circle been complete? Do I feel satisfied as a fan? On
one hand I was sorry just before the lights went down that this
would be the last "Star Wars" film I'd ever see for
the first time. Each time I see one of these films I'm
trying to recapture feelings from the classic trilogy; memories
of a childhood that's long gone and I can never return to. "Fear
of loss leads to the dark side." On the other hand
I can breath a sigh of relief and say, "Thank God it's
over." Though "Star
Wars" is said to continue through television and books,
this six episode serial is over. I think the first generation
will prefer the classic trilogy but in time future fans will
enjoy this as a six-part opus.
Thematically
the films are structured to fit together as a great whole with
a beginning a climax and resolution. Lucas made them in
the spirit of Saturday matinee serials, not in depth dramatic
pieces. Simply put its the story of a man believed to be
the chosen one who fell from grace and eventually fulfilled his
destiny and redeemed himself through his son. It just took
Lucas six films to tell it. So who would I choose to join,
Jedi or Sith. Well that's easy. I'd join the Jedi
in the classic trilogy and the Sith in the prequels. But
remember this is all fantasy. All good things must come
to an end. I just wonder what the die-hard fans that gather
on line weeks before the film's release will do once it's over. It
reminds me of a scene from Forrest Gump where he decides to abandon
his four year jogging trek across America and one of his followers
screams "Now what the hell are we supposed to do?" I
guess its time to grow up.
MAY THE
FORCE BE WITH YOU! |