
After
touring the art department and a look at some blueprints and samples,
we then toured the V-shaped Von Doom office set and got to check
out the hole The Thing made when he escaped the Quarantine Facility
in Victor’s compound. When this was all over, we moved on
to the press conference. In this press conference was producer
Avi Arad, actor Michael Chiklis (The Thing), actor Chris Evans
(Human Torch), actress Jessica Alba (Invisible Girl), director
Tim Story, actor Ioan Gruffudd (Mr. Fantastic), actor Julian McMahon
(Dr. Doom) and producer Ralph Winter. The following is the transcript
of the press conference. Enjoy!
Julian,
how much have you enjoyed playing the bad guy? Are you hamming
it up or playing it really straight?
Julian
McMahon: I'm the bad guy? (Laughter) I need to talk to
Avi for a second. You know, it's been a lot of fun. It really
has. First we have this guy here (Ralph Winter), Avi at the other
end. And this wonderful cast. You're surrounded by wonderful people
and obviously know what they are doing, so for me it's just immersing
myself into the role and hopefully giving the fans what they want.
In
terms of your performance you approach very straight, very seriously
or is it a big comic book to you?
McMahon:
Initially it's a comic book, so you have to understand that's
the kind of environment we're trying to fulfill. So, there's so
much outside of what we do that's the common aspect of it, it's
the graphics, it's the computerization, the prosthetics that he's
been for the last couple of weeks and all that stuff that creates
that world. So for me, it's really not about trying to push things
too much, it's about trying to face reality, so that you as an
audience want to take that journey with me hopefully during the
expanse of the movie. There's a little bit of both to be honest,
you try to camp up a little bit when you get those opportunities,
but you don't want to look like a schmuck.
What's
it like working a hard days work on the Brooklyn Bridge set? From
what I gather it’s a very action packed scene.
Michael
Chiklis: I guess that is directed at me. This goes under
the category of 'you know you're in a huge movie when category...'because
the first day I went to the Brooklyn Bridge set, to see a 75 yard
section of the Brooklyn Bridge having been recreated with a half
a mile track in a circle so that traffic can flow through it,
surrounded with three stories of blue screen. You know, you walk
on the set that day and you go 'WOW' "Hey mom! Mom! You gotta
see this!" To see it unfold, and we're going to spend eight
days on that and we're not done with that set yet. And then second-unit
starts an equal amount of time on that set, and it's going to
translate into maybe 2 minutes of the movie or 3 minutes of the
movie. It's an extraordinary thing to watch and for me, spending
11 to 12 hours in latex is fun! (laughing).
McMahon:
That's definitely some of Chickies' happiest moments.
Chiklis:
Yes, absolutely, it's a little something like being in the 7th
circle of hell! (laughing) But at the end of the day, honestly,
sure it's hot, it's uncomfortable, it's cumbersome, but when you
see it, it really is extraordinary.
How many
hours pre shooting does it take to get the costume ready every
day, and what do you do during that time?
Chiklis:
I'm doing whatever it is I can do to relax. And sorta let it happen,
let it surrender, you have to, and keep it up, because if you
try to control the situation you're going to panic. It's three
hours to get into the suit, head to foot. So you just have to
relax in whatever way that you can. Initially it was really kind
of frightening for me. I knew it would be a physical challenge
to do that. I did not know it would be a psychological challenge.
I'm not a phobic person or have anxiety, but I had a full-on anxiety
attack the first time they put me in and I think it's because
when they put the hands on I can't get out on my own. But now,
it's two months later and I'm through it. Now it's not about fear
it's more loathing. In terms of just the personal discomfort,
I'm talking about that a lot, but I really want to make it clear
that when you put your eyes on the prize, the big picture of it,
you look at the dailies and you see what we're doing, that's the
analogy that's good to you. You start thinking 'Wow, this is something
special, something that I can talk to my kids and grandkids about.
This is a special special job'
This is
question for the cast ,Now that you're in the midst of shooting,
do you pick up any of the comics at all just to see what's going
on with the character or are you pretty much ignoring it and focus
more on the script?
Chris Evans:
We read a lot of comics before we started shooting. We all ran
out and got as many as we could, but there are so many different
series, the Ultimate series, and it's kinda tough to keep track.
You try to keep as much information as you can, since shooting
actually I haven't read many.
This is
more of a producer question, For people not knowing the Marvel
comics, the Fantastic Four, they've seen both X-Men movies and
they like them, how would you present to the general audience
how these characters are different from the X-Men other than they're
blue?
Avi Arad:
The Fantastic Four has actually been around longer than X-Men.
This is not a before and after, it's the most famous comic family
out there. So one is there is a lot of awareness. Two, this movie
the tone, the color, the relationship is functional, tell us we're
dealing with is really unique. It took a lot of time to put this
movie together because we have to service five characters. The
general expectation for this movie is , has been expecting this
movie for a long time. So we have a really busy time putting it
out there, especially now that we actually have dailies and footage
that we love. It plays exactly to the norm that has been around
forever. Bear in mind that over the years there's somewhere of
350 to 400 million copies sold of the Fantastic Four in a worldwide
basis.
Julian Mcmahon:
We need a couple of million of those to come see this movie (laughter).
Chiklis:
It's really a great time for this film to be made too because
on a technical level 20 years ago and you make this picture and
it's cheese whizzy. Because you can't achieve the individual effects,
you know, Mr. Fantastic stretching and using these kinds of prosthetics,
you know, you turning into the flame and you doing the force field.
Now the technical can be married with the practical and the emotional
and human, and in a way it never could be before. That's what
we're trying to achieve, not just being technical show, we're
trying to fuse those elements together as seamlessly as we can.
Avi mentioned
a little about the dysfunctional part of this family, Tim, could
you elaborate on the dysfunctional family aspect of the group?
Tim Story:
I'm a fan of arguments and things like not right all the time,
to me that makes the real drama and it also even better makes
the real comedy. The Fantastic Four being a group like many of
us, that's the fun part. I think when it comes to superheroes
this one kind of fit me best because they're regular people. They
have everything happen to them and then they have to deal with
it. And to me it's just about bringing that to life. I guess it
is a dysfunctional family because we can all relate to not liking
our family but loving them all the time.
Does
it interest you that this is the only group where they don't have
secret identities in the massive world of Marvel Superhero Characters?
Story:
I think that's the other thing that drew me too it, this is an
origin film so we're dealing with what's happening to them, but
the future is how to play them on the fact that they are known.
People deal with them as the Fantastic Four (Inaudible)………………..
think that Michael and Ioan were the two the first two that were
signed, (Michael raises his hand and says that he was the first
one) I know a few months ago during the Shrek Premiere you and
I talked about the Thing and Ioan during the King Arthur junket,
you couldn't talk a whole lot about it now that you can How excited
were you when you could finally talk about being the Thing and
Reed Richards?
Gruffudd: I'm
very excited, incredibly excited. I have to be honest I wasn't
aware of the comic books, hadn't heard of these comic books. So
I came from just the script stuff and I jumped at the chance of
playing this character. And he's an American, I'm a British actor,
so I'm thrilled.
Chiklis: I met
this gentleman (Arad) at a party and Jennifer Garner actually
introduced us and I said, 'I have two words for you, Ben Grimm',
and that was the beginning of it. He called me into his office
some months later discussed the possibility of this happening.
And I was in excruciating pain frankly, actually emotionally when
I spoke to you, because there was a big question whether I would
be available for this film because I have a television series.
It was all about can we make this happen purely from a scheduling
standpoint? and of course the film get being pushed back and pushed
back which made it more and more precarious. It really came down
to Peter Churner, and you know Avi and all those folks at F/X
and everybody involved, the heads up state, the meeting of minds
and making it happen for me which I thank you and thank you and
thank them all for.
Arad: I had no
choice, I had his bobblehead. So every time I sit down at my desk
his head is going like this.
Chiklis: So it
was out there and Avi was up for it and I couldn't say anything.
It was pretty excruciating at that time and it was great to be
able to finally say, 'Yeaaah!' That was pretty exciting to say.
One question for
Tim, this is a different genre for you. Some directors like Sam
Raimi have the Evil Dead series, they were in the genre, You've
done Barbershop, you've done Taxi, what different approach are
you taking this time?
Story: You know
I don't know if it's that much different of an approach. It's
a character-driven, and that is one of the reasons, hopefully,
why they brought me on. I remember sitting down with Avi and Ralph
in terms of what support I would have for action and special effects
because I knew I didn't have a lot of experience with that. And
they said, you know what, we brought you to the table for the
character and story and we'll support you with the rest of it.
I kind of look at it if I have to make a movie work, absent of
the action sequences and absent of the special effects, if I can
pull that part and make it successful I think the rest will take
care of itself because the special effects, we have some serious
wizards on this movie and it's going to be incredible, so didn't
really have to deal with that, I have to do what I do, its all
filmmaking, its all character based, its all comedy, story, drama.
I felt comfortable and once I had a cast and Avi had the script
I had the tools to make it work.
To Ioan, what's it
like working on these bigger projects?
Gruffudd: It's
the same sort of process as any television job I've done just
on a much grander scale. It's fantastic (laughing). I would call
it one the hardest thing I've done to date because I have to present
so much more imagination. Everything is done after the event or
computer generated, like my whole character with the stretching.
It's a strange feeling as an actor to put your life/character
in other people's hands. There's a trust issue there when you
have that over you.
Speaking of money
Ralph, I bet there is not one day that goes by that you don't
think that 'I wish had more money or wish I had more time".
I am sure its been the same case when you were working on X-Men
or Planet of the Apes., but I am sure that each movie has it's
own challenge but what was unique for Fantastic Four?
Winter: A big
challenge that is always present in these films is in the script
of getting all five characters' heroes to have something meaningful
and helpful towards the final act. That's probably the greatest
challenge that we keep wrestling with even now as we sort of tweak
what happens in the third act. To make it happen so it's fulfilling
for all the characters. It's always a challenge financially, trying
to get as much on the screen as possible and make it look as big
and exciting as possible. Brooklyn Bridge is a huge challenge,
we feel very good about that now. Now we just have a small, you
know, fight in the third act here in Vancouver (laughing).. which
will destroy Vancouver. Throwing buses and cars and blowing things
up..
Chiklis: Jumping
from building to building
Winter: Yeah,
Jumping from building to building. Easy stuff
Jessica, your character
is known for having maternal instincts, is that something that
comes naturally to you or are you learning as you go?
Chiklis: Yes!
Sorry. Yes, you are maternal. Sorry. I'm sorry to jump in like
this. I didn't know Jessica before this and she's like little
mommy, I've always told her you should have children immediately.
You will be a beautiful mother, she has this matriarchal way.
Alba: Thank you.
Actually that is a big part of my personality that I don't get
to do a lot, especially as an actress, because I get type cast
as the kick-ass b*tch or the dotting whatever girl. I never get
the maternal, loving, supportive, intelligent role. And Tim, I
tell him I don't know how I will get this movie, I love this movie,
but if I was in this movie this is who Storm's going to be. I
thought he was going to be opposed and he wasn't.
McMahon: How
can you oppose that? (laughing)
Alba: I am also
the oldest of fourteen cousins.
Chris, you're the
hot dog and I am sure this was role that a lot of people wanted,
were you lobbying for this?
Evans: Of course!
This was a group effort for me. I went back a bunch of many times
and it was a long audition process. And my agent pulled through,
it was a group effort with my agent and some people over at 20th
century fox. I was ecstatic. So far great, it's all new to me,
I never was in anything this big, so every day it's an educational
experience for me.
For any of the cast,
how fun is it playing a superhero at the end of the day:
Winter: None
of these people are having fun. (laughing)
Chiklis: Hey,
I'm a rock He-Man, I get to play a rock hard He-Man, that's crazy,
who gets to do that. I was a fan growing up of the Fantastic Four.
You know I loved this comic book. So I've played cultural icons
before and I know there's a certain responsibility that goes along
with that, you can't get preoccupied as an actor with that, you
have to really just bring your own joy to the opportunity and
to play this character to just jump in, you just have to go for
it. You can't worry about it; there are always some people that
will not like your take. There's always going to be someone in
the audience who goes 'eh' that he didn't handle it. But hopefully
the mass majority will go, 'Yeah, he or she was really committed
to it and pulled it off.'
Can each of you talk
about how the powers that your characters manifest represents
who they are?
Gruffudd: For
Reed, he's always reaching for the stars, he's always reaching
for affection and that he's flawed, he's only human. His mistake
in his calculation creates these characters. They are exposed.
I suppose that's his analogy, he's striding for perfection and
always reaching when he becomes a superhero. Does that make any
sense?
McMahon: That
was fantastic. (laughing) I have been sucking my thumbs for weeks
and she hasn't done anything maternal for me. (laughter) and we
all hate each other (laughter)
Alba: My character,
she's very intelligent and very maternal, and outward emotional
because she's a woman. And the guys kind of run the show, they
don't see that, she might as well be invisible. She still lives
in a man's world and she has to work double hard to get ahead
and they still overshadow her.
Evans: I think
Johnny's a hothead, you know, he's a playboy, loves to live life
in the fast lane. He likes attention so what's more of a spectacle
than bursting into fire and flying. (laughing)
Chiklis: Ben
Grimm The Thing, he's a tough guy, tough exterior, heart of gold.
In a nutshell, that's it. He's been Reed's best buddy and protector.
I'm the brawn and he is the brain, He's a protector, a strong
guy and doesn't want to be a hero, just wants to do his thing
and get on with his life. I think the thing that truly makes him
heroic is choices, as you'll see in the film, he has to make a
pretty selfless choice to be heroic, I think they all do and that
is the key.
McMahon: Who
am I again? (laughing) Oh yeah. You know the wonderful thing about
this whole thing is you actually get to see the whole evolution
of the characters. They start of as human beings; they don't start
off as superheroes or characters with extraordinary strength.
It's fantastic, the guy who does Chiklis' character is a comic
book freak. He knows everything about the comics. Every day he
has a new T-shirt, every day he has a new thing.
Chiklis: Every
day there's a new Fantastic Four T-shirt. And he's not had the
same one twice! I didn't know you made that many T-shirts!
Arad: I didn't
know either!
Chiklis: Unbelievable,
you know this guy asked me about Episode 285, I'm like 'whoa whoa',
I thought I was a fan before.
McMahon: I watched
the original TV series, '65 or something, so I saw the whole original
comics and all that kind of stuff, and it's wonderful because
I've seen the comics and watched it through the70"s and the
'80s, and first you're watching it through a child's eyes and
you're not into the depth of the characters, and stuff involved
with playing this kind of role. But after watching the original
cartoons of this thing, it's amazing how much the original comics
and cartoons are put to our characters, and it can be very subtle
little things. It really starts off with relationships between
the four people. And these two (Reed & Doom) are basically
nemeses from day one, they went to college together, Ben was the
one who stood by him, Mr. Fantastic and Victor had a spell for
Sue who was the most gorgeous woman on the planet and then along
comes this young hot start, you know what I mean? And you really
get to see these characters as people before they become something.
So, it's not until they go up into space and this comic storm
engulfs them and they will develop their individual powers that
they really start to embrace and start to take on their original
and probably deeper characteristics. And that's the fantastic
journey about this; you're not seeing the heart of humanity until
they get infected with this thing. So it's really a unique and
interesting journey, and it's what brings these guys, pull that
together and that's what separates me from them. And that's a
fantastic moment that will hopefully bring more money in the sequel.
For Michael and Julian,
you said this movie has already almost conflicted with your TV
schedule, as the franchise continues and both of you on running
shows, how will your future schedules work out? Can we expect
"Shield" episodes missing Vic Mackey while you are shooting
Fantastic Four 2?
Winter: Yes!
(laughing)
Chiklis: This
year no, they did an extraordinary thing at FX. They pushed the
shoot The Shield for 3 ½ so that I could film this. I had
never seen that done. Makes you feel good and is humbling.
McMahon: we expecting
bigger contracts (laughter)
Chiklis: You
go right after it (laughter)
McMahon: the
wonderful thing about the whole thing is that It all comes under
the Fox umbrella. As much as we are on the FX network, Fox owns
it.
Chiklis: Synergy
is I believe the word.
McMahon: For
me, I feel like it's allowed me to be here. And it's very difficult
to make this kind of things work, it's not that easy to be on
a TV show and try to upstart a movie career at the same time.
The one thing we do have is that we've both worked on TV shows
that only work 6 months out of the year, which is a bonus because
you can do 6 months of something else. And like I said when you
have these kinds of guys to do whatever it is right, eventually
you work things out. I'm just trying to get myself in the sequel,
so... (laughing) Will you be back for another season on Nip/Tuck?
McMahon: Nip/Tuck
won't go back into production until March and we have a lot of
discussion before that happens.
Have you decided
on the music, both the score and soundtrack?
Winter: John
Ottman is the composer, who did X-Men 2. He's very excited and
we're very excited about him. A great choice for building themes
and emotion, John is terrific. There's nothing to talk about yet
(for the soundtrack).
McMahon: Well,
Chiklis and me have submitted a couple of renditions of our favorite
songs and we're just waiting to hear the yay or nay from Tim Story.
(laughing)
Jessica, This is
your second comic book movie, this and Sin City, what approach
have you taken from one comic to another?
Alba: They are
completely different. I get to act and do what I love, and that's
something that's great. They're both more about the work and about
action, and about feeling complex, and this is definitely an action
movie. I'm just thrilled that they're so good, you know. I love
that comic fans are so loyal so hopefully I can still make movies
for them.
Chris, did you ever
expect to be a superhero?
Evans: No, in
a lot of ways it's a little boys dream. I've said that 20 times
today. What little kid didn't tie a towel around his neck and
jump off the couch to be a superhero, pretty cool
McMahon: I jumped
off the second story. (laughing)
Julian, Michael has
talked about his prosthetics, have you had to do any prosthetic
work yet?
McMahon: Mine's
a little more painful than Michael's, just so you know (laughing).
He's trying to make it look better, but just look at that outfit,
look at him up there (referring to the banner featuring The Thing
that's hanging behind them)
Chiklis: I would
like you to know that was a test. That was taken the second test,
the second day that had I put it on. It's close, but it's not
exactly where it's come to.
McMahon: To answer
your question, I have started the prosthetic thing. Once they
come back to earth, Victor gets a cut in his head and he starts
to develop this stuff in his hand and it's a very cool thing.
We have done this very slow evolution of this man turning into
a metal steel getup. So far it's just been stuff with my face
and stuff on my hand. It does develop more into a Thing-type prosthetic,
what you expect it to be.
Avi: You will
see the Dr.Doom that we all know.
McMahon: The
thing really for me is, the prosthetics have evolved for so many
years, and the computer effects, that you can actually see the
actor beneath it. You can see Michael behind that face, you can
see the expression of his face when he's going through certain
different types of emotions.
Chiklis: That
was a huge issue for me. I felt very strongly that I gave myself
my own sentence to this. I really wanted it to be a costume, because
I felt that if it was just a CGI than you would loose the humanity
part. The other question was, can we make it so it looks and feels
like the original character? A real sort of manifestation of the
character and I wouldn't be completely lost in it. And that's
the extraordinary thing that these guys have accomplished. Even
when I'm in the 60 pounds of make-up, the prosthetic, you see
it's my eyes, it's my face, and it moves along with my face. I
think it's a pretty extraordinary accomplished, to marry the technical
with the emotional, the human. And hopefully that will translate
onto the screen.
Julian, This is nothing
new for you, in Charmed you used plenty of prosthetics.
McMahon: Me?
Oh the devil guy, no it was another guy, Oh how funny is this,
the guy who played the Thing in the first movie was the same guy
who played the devil in charmed. I also worked with the lady who
played Sue Storm in the first film, she told me "you know
I was the Original Sue Storm" and I said "Right".
Chiklis: Who
is she dating Adam West? (Laughter)
McMahon: This
guy was 460 lbs and 6 foot 6 inches tall, I never had use prosthetics
at all, he in the other had had spend 4 to 5 hours on makeup,
I can tell you paid attention (laughter).
In the comic books,
the Fantastic Four attracted a lot of other Marvel superheroes
at times, will there be a superhero cameo, perhaps in the film?
Arad: Well, we
always have a couple of easter eggs, for the true believers, and
as you see the movie you'll see some and you'll say, 'Oh, I thought
that was...' Watch for Stan Lee's cameo and some other vignette,
but these are the best-kept secrets especially here.
This group reports
to the hardcore fans worldwide whom nit pick at everything because
they love the characters so much. Does the loyal fan base, who
question everything, affect in how you make this movie?
Story: The Answer
is yes, you try to forget until press reminds you (laughter) If
you can create the spirit of what comic books are, and you find
the best actors for the role and you find a script and you go
for it, then all you do is put it out there and hope that they
will accept it. Sometimes you have to win them over. Avi and Ralph
told me about how much they screamed, and how Hugh Jackman wasn't
right for Wolverine and now you can't see that franchise being
anything without him, so all you can do is give it a 180% and
throw it out there. I think here with the actors, specifically,
they have taken on this role and just made the characters better
than I can imagine. And I can't wait for people to see it. I'm
definitely not one to talk before it's presented but I think they're
doing it justice.
Do you go the web
to see what has been leaked or what the fans are saying about
the film?
Story: Avi and
Ralph forbid me to look at Internet stuff and comments, and this
and that. You know when this or that comes up; some people will
shoot it down. That's not always a negative thing, because they're
just so in love with the character and story that they want it
done right.
Stay tuned for more from the set!
If you have any questions or comments feel free to email me at
dan@latinoreview.com
|