
An Interview with Sofia Vergara
Colombia-born TV
star Sofía Vergara is an international sensation, although
you might not know it yet. Vergara co-hosted the Univision travel
show Fuera de Serie (Out of Sight) with Fernando Fiore and co-hosted
the Univision show A que no te atreves (I Dare You). The longtime
Miami resident first went into American film with a pivotal
role in the movie Big Trouble, starring Tim Allen and Rene Russo.
That led her to more big trouble in Chasing Papi
and then crashed and burned in Soul Plane.
Some people have even went as far as calling her the Pamela
Anderson of Latin America. A few weeks ago I got the chance
to talk to her about her upcoming role as Sofi (Go figure) in
Four
Brothers. Sofia Vergara shares the latest on
her life and her role in the new film.
How
was the scene on the staircase?
Vergara:
It was fun for me. I had the opportunity to curse in Spanish.
And you
enjoyed that?
Vergara:
Yes. It came very natural to me. It felt very good [Laughs].
But it was fun. The whole movie, shooting the whole movie with
John [Singleton] and all of the guys was great. I had fun doing
my character because she was fun and just a crazy maniac.
When you
read the script were you at all concerned with how Latina women
were being portrayed in the film?
Vergara:
You know, the first thing that made me want to be in that movie
even before reading the script was John Singleton because I
wanted to work with him. And then I don't know why everyone
thinks, I mean I'm Latina.
I know.
Vergara:
I thought maybe you thought I was European. But I read the character
and I didn't feel offended or stereotyped and I'm that woman.
That's what the other women will relate to and I think that
she was just fun and she was great to do. She had to be like
that and you have to be in her position. I mean, she was about
to have a nervous breakdown. Maybe an American woman wouldn't
have been like that because they are a little more keeping everything
for themselves, but Latin people are like, 'No. We explode and
we scream and then you turn around and you forget.' You say,
'What do you want to have for dinner?' That's how it is. I'm
not afraid that she looks stereotyped because she had a good
reason to be like that. She thought that she was going to lose
her man. She was in love and she was in this house with all
these men, with all this testosterone, this crazy mix of personalities.
This was the only way that she was going to be able to survive.
If she was like a shy, quiet girl you wouldn't have even noticed
her in the movie. So I think that's why John wanted this character
to be like over the top to break a little bit of the toughness
up in the movie and the drama and the violence. It was something
a bit light, the comic relief.
How has
this particular film resonated for you personally because I
know that your brother was assassinated in Colombia? How much
did working on this remind you of that?
Vergara:
Well, it was for me, one of the last scenes at the shootout
was hard. But you know it's part of life. You just keep living
and it becomes part of you, but it doesn't stop you from doing
anything. It's just something that you have inside. I understood
totally why the movie was this crazy thing about the revenge
because once you're in that situation, when you lose someone
that you love and you know who did it, you want to do something.
Maybe I wouldn't go and shoot them myself, but you want justice.
So I understood why these kids were doing the wrong thing, but
for the right reason.
As
the lone actress in a lot of the scenes how did you deal with
all the masculinity of your costars?
Vergara:
Didn't you see it. I had to scream and get crazy [Laughs].
Is that
what you had to do?
Vergara:
Yes. Of course. No. But it was great working with the guys because
by the end of the movie I was one of them. I made friends with
all of them and it was a pleasure coming everyday to the set.
Did you
have a back story for your character because we only saw her
coming into the family like that?
Vergara:
They were like high school sweethearts. They knew each other
her whole childhood and they were always girlfriend and boyfriend
and suddenly he leaves. He leaves Detroit. He leaves her for,
I don't know, seven years, but he's the love of her life. She's
living with some other guy, but once she sees him it's like,
'That's it.' I want him again.' And that's why she's about to
have a nervous breakdown because she thinks that she's going
to lose him again and this time for good. He might even die.
So she gets crazy.
How does
it feel to be getting all of this attention?
Vergara:
It's crazy, but I come from the Latin market where I've been
working for many, many years and maybe it's not the same level
of Tom Cruise and the international press, but it's the same
tabloid thing where you appear in every magazine. You have a
hundred million paparazzi everywhere. It's to another degree,
but it's the same thing for me and so it wasn't a big surprise
or anything that I haven't been through before. Of course you
can't compare the amount of press that Tom Cruise can create,
but it was funny for me to see that that one set of pictures
could create so much craziness. People see pictures and they
immediately imagine, 'Oh my God, they're having sex.' Or that
there's some romance or whatever. Maybe they were doing business.
Maybe it was a coincidence. Maybe anything.
Do
you find that there are more opportunities for Latinas or for
you in particular?
Vergara:
Well, there aren't as many as there are for American actresses,
but it is getting better. I mean, for example, for me it's harder
because I have an accent and the roles have to be very specific.
You can't just play a Latina with a crazy accent anywhere. She
can't be a scientist.
She could
be a scientist.
Vergara:
Yeah, but that's not how they write the characters. Usually,
they write the Latina woman in a different way. They don't write
her like that. So it's hard to find those characters, but it's
getting better. That's why I think that Salma Hayek and Penelope
Cruz and them doing such a great job because they have thick
accents, but they've been working for a long time. So it's not
easy.
Are you
focusing on breaking out in the states or are you going back
and forth between the states and Latin America?
Vergara:
Well, usually, I didn't work that much in Colombia. I've been
a TV host for ten years on Univision. Univision is a Hispanic
network here in the United States. I mean, it's national TV.
For example, I have a clothing line in South America and so
I do go back and forth and I try to keep doing things because
those are the markets that I come from and for me the American
market is like any other thing. I don't know how it's going
to go. Next week I start filming a sitcom for ABC. It's called
'Hot Properties.' It's going to be on Fridays at 9:30pm primetime
and it's also very exciting for me because that's the first
time that a Latina woman with an accent on primetime television.
What's
your character and what's your situation?
Vergara: I'm a
realtor in New York, and she was happily married for ten years
and she got a divorce because she found out that the husband
was gay. Now that she's ready to start dating again she's obsessed
with every man in the world being gay. So she can't relax and
is always looking for the gay clues. She's obsessed with this.
It's comedy.
And that's
in January?
Vergara:
No. September. The Fall.
Who are
some of your costars on the show?
Vergara:
Nicole Sullivan. She used to work at 'Madtv.' Gail O'Grady and
Evan Handler from 'Sex and the City.' I can't remember that
name.
How
did you like shooting in a cold weather climate?
Vergara:
I didn't like it. It was horrible. My first scene was running
in my underwear and it was like minus twenty degrees. It was
torture. It didn't make any sense to me why they wanted to do
this in the movie. I'm like, 'Is this necessary? Why the torture?'
But then when I saw the movie I was like, 'Yeah. It looks cool.'
It was worth it.
Are you
shooting the sitcom in New York?
Vergara:
No. L.A. It's there because, I mean, my son is from Colombia.
And we can't go all the time from Miami, from Miami to L.A.
He's fourteen and so now he has really close friends and he
doesn't want to move. So I think that I'm going to be stuck
there for awhile.
How is
he handling mom's success?
Vergara:
He's used to it because I've been working since he
was a little baby. So he doesn't know anything else. He knows
that I have to work. He just laughs with me when he reads the
gossip and stuff because he's the one who knows where I sleep
every night and what I really do. So he laughs with me.
Has he
seen this movie?
Vergara:
Yeah. He saw it with me. He loved it. He said, 'This is the
best thing you've done.'
What did
he like about it?
Vergara:
Him? What did he like? He thinks he's like Quentin Tarantino.
He writes already and has written three screenplays. He wants
to direct. So I'm always like, even when I get a script, I'm
like, 'Read this. Do you like it?' He's like, 'Yes. No.' Whatever.
He's like a nerd because he knows everything, every director,
every movie. I mean, it's incredible. So when the movie ended
I'm like, 'So what do you think?' He said, 'I love this movie.
This is the best movie that you've done because there is comedy.
There are people laughing and crying. The shootouts and the
drama and the violence. It's everything.' I'm like, 'Yeah. You're
right.'
This energy
that you have, is that the kind of energy that you had to seduce
all of these men on this movie?
Vergara:
Yes, of course. What's funny is at the beginning I arrived on
the set and they were all sort of flirtatious like, 'Sofia,
sit here.' Everything like that. By the end of the movie it
was like, 'Get out! You've been sitting there for too long.'
I became one of them and they ignored me.