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By Dan Schubert

When a science-fiction/horror film that costs $23 million gets released and earns $21.7 million on its first weekend, studio heads think one thing: sequel. Expectations for the first “Underworld” film were very low. First of all, it came in moderately under the radar. Genre fans were probably the most hyped up about it, but the common folk’s awareness wasn’t too extreme. In a time of the 2003 “Matrix” overload of video games, sequels, dvd releases and endless promotion, did the public want to see more leather bound anti-heroes showcasing their firing techniques with an endless amount of gunfire? Well, when the commercial spots and trailers came out, and the poster of Kate Beckinsale in front of the enormous moon was released, the public seemingly started foaming out of their mouths. And when the $21.7 million figure came in, fans got exactly what they wanted: a high-class mixture of “The Matrix” and “Blade” that put a whole new spin on the age-old vampire/werewolf stories. But the biggest shock of all was the fact that, although it ended up making $100 million worldwide, it became even bigger when it was released on video and DVD, meaning that a whole new audience discovered it at home and that the old grassroots publicity campaign known as word-of-mouth was very, very good on “Underworld”.

Now in January 2005, exactly 16 months since the first movie was released in theatres, I am on the set of “Underworld: Evolution”, the follow-up to the 2003 film, at Vancouver Film Studios. “Underworld: Evolution” stars almost all of the main original cast: Kate Beckinsale, Scott Speedman, Bill Nighy, Shane Brolly, Sophia Myles and Michael Sheen, along with newcomers Tony Curran and the much-acclaimed British actor Sir Derek Jacobi. Director Len Wiseman returns also, along with co-writer and co-creator Danny McBride by his side. It’s also interesting to note that Paul Haggis, Academy-award nominated screenwriter for “Million Dollar Baby”, did a rewrite on the script. Not much is given about the plot other than it begins only 3-4 hours after the first movie finished and continues the saga of war between the aristocratic Death Dealers and the barbaric Lycans (werewolves). This film also gives us a glimpse into the history of the feud between the two tribes as Selene (Beckinsale), the beautiful vampire heroine, and Michael (Speedman), the Lycan hybrid, try to unlock the secrets of their bloodlines.

The scope of the film is 2-3x bigger than the first, we were told by producer Gary Lucchesi. But as much as things change, they always stay the same and with “Underworld: Evolution”, CGI will still be hanging out with its old 1970’s friends, Models and Matte paintings. We talked to visionary wunderkind Patrick Tatopoulos, the production designer on films such as “Independence Day”, “Godzilla” and “I, Robot”, about what he was planning for the look of the film and its creatures. He told us that the new villain Marcus (Tony Curran) is going to have wings that fold into his back. We looked at sketch designs of Marcus and they look pretty damn scary. A lot of the creatures in the film will be performed using animatronics. We got to take a look at an animatronic black werewolf’s head that was to be used in the film and it was fascinating. In order to make it work, three special effects men handle the controls of the creature from afar, while one man stands inside of it. He also told us that in the flashback scenes, the Lycans (or werewolves) will be a great deal skinnier than they are in present time. In regards to set design, the historical sequences will be very colonial, set in a fully constructed medieval village. It takes place in Romania, the home and heartland of the creatures. The designs look, in typical Tatopoulos fashion, very dark and gothic. But Tatopoulos says he is specifically avoiding using the word “gothic”, instead, he thinks the designs are more “Roman” than anything else. The first film’s look was extremely gray and blue-looking and Tatopoulos says he is purposely trying to go for a more-brightened up look.

Next, on the set of a ship complete with ancient knives, candlesticks and other weaponry we had our press conference. At this press conference was actor Scott Speedman (SS), director Len Wiseman (LW) and actress Kate Beckinsale (KB).

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