Movies are rated on
a Scale of 1 to 4 stars with 4 stars being best.
By El Mayimbe
RATING:
Yes folks, we at Latinoreview
got ourselves the multimillion-dollar script of Halo by Alex Garland!
I had to pull some Sam Fisher Splinter Cell moves to get it –
but we got it. Let’s see, they paid Alex Garland $1 million
bucks to write it, they sold it to Universal and Fox for $5 million
bucks plus 10 percent of the gross. And they gave a seven-figure
deal to both Peter Jackson and Fran Walsh to exec produce the
movie. A $10 million dollar script – at least. Wow. The
question: Is the script any good? My answer?
Hell yeah, baby! This script rocks man. The script
is so damn good and entertaining that I read it more than once.
A tour de force. The clowns at the other studios who passed on
this are gonna lose their jobs when this movie comes out and opens
huge. Whoever at the other studios thought that this script wasn’t
up to snuff can kiss my ass. Idiots. You think Peter Jackson is
going to get involved with a property if the script royally sucked?!
I think not.
Halo is a balls to the wall unapologetic, ruthlessly
ultra-violent war movie – and it’s cool as hell, man.
How violent is it? It’s the Saving Private Ryan of video
game movies. We got headshots, bodies being cut in half by the
swords of the Stealth Elite. We see what kind of damage plasma
grenades can do and yes we get to see the horror of flood infection
vessels – heads snapping back and torsos exploding.
The fact that Bungie and Microsoft,
developed the idea for the movie in-house and paid their own writer
to come up with the draft is reason alone why Halo will stand
out among all the other video game movies. This is the sci-fi
movie that has James Cameron directing written all over it. That
is my pick on who should direct this. Talk all you want about
Silent Hill, Hitman, Postal, BloodRayne and all those other lame
Uwe Boll adaptations - those other video game movies were licensed
to the studios where lame development and creative execs developed
them with writers without the game creators having any creative
input or say. No way, not with Halo. Halo will be the mother of
all video game movies and a kick ass science fiction picture to
boost. The people behind Halo who live this game and breathe it
were in the development process all the way and were calling the
shots like the way it should be. Hats off to Mircosoft and Bungie
for having Hollywood do their movie on their terms! Way to go!
Having Peter Jackson as an exec produce will also ensure that
this movie will be done right and will be of high quality. I can’t
wait to see what Weta’s interpretation of Master Chief looks
like. The right people are making this movie. For an excellent
recap of Halo’s journey to the screen check out the Great
Hollywood Journey Parts 1, 2, and 3 written by Bungie’s
Joseph Statten HERE,
HERE,
and HERE.
I also want to give a shout out
to the excellent fan
site because it took me two weeks to do the research
on this script for the review and this site was a big help. You
see, I never played the Halo games (Kellvin finished both Halo
games), hell I don’t even own an Xbox. But after reading
Splinter Cell and Halo, I want
to go out and get one. I’m a PC gamer into the RTS games
like the awesome Command and Conquer series and Starcraft. The
only console game I really love is the Metal Gear series, which
is screaming to be made into a movie. I used to be snobbish and
believe that the first person shooters were better on the PC’s
because of better gaming hardware and in doing the research for
Halo I discovered that it is not necessarily so. The Halo series
has a rich mythology and universe and extends beyond the games
into novels and all sorts of cool stuff. It is amazing how big
the Halo fan base is out there. I was amazed. Then again both
games have made over half a billion bucks. I haven’t been
a hardcore gamer like I used to prior to my move to LA in November
2002 – but I am going to get back into it now because after
reading both Splinter Cell and Halo scripts that alone makes me
want to get back into gaming. I can’t believe what I have
been missing out on. The Halo movie is written for the hardcore
fan and for the science fiction movie fan. Like me, you don’t
have to be a fan of the game to enjoy this movie. The script is
relentless; Master Chief gets in and out of one jam after another.
Lets
take a look at Act 1.
Halo opens with a series of scorched
snapshots. Fragments. As memory. This is MASTER CHIEF’S
DREAM.
We open on a SPARTAN HELMET, and a REFLECTION
in its visor.
In the reflection, we see buildings. The design
and architecture of the buildings tell us this is not Earth. The
suns are low in the sky, and bathing the landscape blood red.
We snap back to show the full figure of the SPARTAN
and folks we are introduced to MASTER CHIEF (MC for short for
the rest of this review). Seven foot tall, clad head to toe in
MJOLNIR armor, holding a MA5B ASSAULT rifle.
We pull back some more to reveal behind MC, another
fifty SPARTAN WARRIORS. All the Spartans have their gaze directed
at the skies where a vast shadow or cloud is eclipsing the twin
suns.
Only this shadow turns out to
be literally thousands of Covenants drop ships! (I can’t
wait for these WETA toys!) We cut to a battlefield across the
wasteland where the Spartans and the Covenant are locked in ferocious
combat. The Spartans are super-warriors. Combat machines –
except that beneath their armor is genetically refined human flesh
and blood. Despite their physical size, they are fast. We watch
them turn-aim-fire, the speed of their reaction is unnatural.
They seem fuelled by nitrous oxide and amphetamines. There is
something hypnotic about the way they fight. Amidst the chaos,
there are patterns. Across the battlefield, we can see precise
movements echoed from Spartan to Spartan. The same motion in the
way a weapon is raised, the leap and roll to avoid an explosion.
The Spartan Warrior training is embedded deep within them.
The
Covenant provides a contrast. Among the various species that make
up the alien ranks, we can see the tall and regal ELITES, the
massive HUNTERS, the gorilla-sized GRUNTS, and the thin and feral
JACKALS. Cool, huh? They fight with their own brand of specialized
ultra violence. Less controlled than their human enemy, they are
zealots, rabid. They roar as they charge, plasma blazing from
their weaponry. In close quarters, they tear and rip and claw.
Many more of the alien warriors are falling and dying. In comparison
to the Spartans, the Covenant is far, far greater in number. As
we watch the scene unfold, something becomes very clear. The tide
of the battle is turning inexorably against the humans. We cut
to MC maintaining a barrage of fire as the Spartans to the left
and right of him are lacerated by plasma fire. We cut to another
Spartan as a plasma grenade sticks to his chest. He double sup
to protect his brothers then flies apart as the grenade explodes.
We cut to another Spartan walking: dazed, blackened, blood-smeared,
half his armor blown from his body, half his arm hanging useless
at his side. We cut to a group of three Spartan driving a WARTHOG
VEHICLE – one driving, one on shotgun, one on the rear canon
– as hey break ranks to charge the enemy then skid, roll
and die under a rain of fire. Here, and throughout, the combat
feels real. Hard, bloody, and brutal. We cut to the city burning,
then to the twin suns blazing, and then to black and silence.
The year is 2552. A coalition of alien species, the Covenant,
is waging a genocidal holy war against mankind and mankind is
losing.
Now that is what I call an opening
folks. We cut to Outer Space to a gas-giant planet and orbiting
the planet, there is what appears to be a vast metal ring: the
circumference of a small moon rotating slowly. We can just make
out a strange feature of the metallic band. The interior is a
wrap-around landscape, made up of the same foliage-greens, water-blues
and dust-yellows we know from views of our planet. It is as if
someone has cut a strip from Earth and lined the inside of this
artificial world. HALO. A rip in space occurs and out of the fissure,
a human built battle cruiser appears – THE PILLAR OF AUTUMN.
Hulking,
grey, massive – a great block of a space ship, as solid
as a concrete bomb-shelter, designed purely for war. On the underside
of its snub nose, a portal, behind which is the bridge where a
man stands, gazing out. The commander of this vessel: CAPTAIN
KEYES. He looks out at the planet and its ring moon. Behind him,
the bridge crew is at their posts, manning the flight decks. He
surveys the scene and calls out for CORTANA. Only none of the
bridge crew responds. Instead, he is replied by a female voice
– the voice of the Pillar of Autumn’s artificial intelligence.
He asks Cortana two questions, where the hell are they, and did
we lose them. Cortana responds that they made a blind jump. She
scans the constellations to get a fix on their position, as for
whether they lost them…Captain Keyes sees for himself as
we see multiple slip space fissures, similar to the one from which
the Pillar of Autumn appeared. Through each fissure, COVENANT
CAPITAL SHIPS appear. Cortana is like at least we’ve drawn
them away from Earth. But in ninety seconds, the Covenant will
be all over them. Keyes issues combat alert alpha. Cortana orders
all hands to combat posts and to prepare to repel boarders. On
the lower deck, Engineers and Medics scramble to position. Marines
grab hardware from weapon racks, pulling on helmets and flak jackets.
One group of soldiers stands as a contrast to the adrenaline and
commotion. An oasis of calm. This is MAJOR SILVA and his men the
HELLJUMPERS – the special-forces unit stationed on the Pillar
of Autumn. Major Silva tells the Helljumpers that a shit storm
is coming. He smiles and tells his men, “let’s spill
blood.” Fighter craft spill from the flight bays to intercept
the incoming Covenant craft. Captain Keyes looks out as the stream
of tiny fighter craft, dwarfed in both size and number by the
approaching enemy vessels. The first of them are already being
engaged by Covenant fighters. The battle has begun but Captain
Keyes is looking beyond it to Halo. He wants to know more about
it. Cortana responds unknown, artificial, it’s not a space
station and not occupied by Covenant. It’s nitrogen and
oxygen rich. Life supporting. That is all Keyes needs to hear.
Keyes orders Cortana to get in close. They are on approach vector
now and Keyes tells Cortana that it is time to wake their war
dog!
We cut back to MC’s dream
and we are back under the blood-red twin suns and close quarters
combat with the Covenant. MC seems to be alone in this fight.
The last of the Spartans. He fires into faces and chests of the
Covenant troops at near point blank range. He is completed surrounded
by the aliens. Under his feet are tangled carpets of bodies. The
image whites out and fades back in to the Cyro-Storage chamber.
MC wakes up. Two Cyro engineers are in awe of him. One of them
is like Holy Christ, would you look at the size of it. His buddy
tells him there’s a man in there. The door to the Cyro-Storage
chamber cracks its seal, and then rises open. The Spartan lunges
forwards, reflexively, snapped into consciousness. The two engineers
jump back. MC reaches out to place a hand either side of the Cyro-Chamber,
then steps out. He takes a moment as he surveys his surroundings.
Looks to the left, then his right. Then down at the two men. He
towers over them and they seem to shrink under the blank gaze
of his visor as he speaks his first words on page 10 of this script.
“What are my orders?” Now
that is dialogue. That is cool. You don’t even have to be
a fan of the game to know that in movie talk, those 4 words speak
volumes about his character and what he does. A guy who gets the
job done. That is the dialogue of a shit kicker who does what
he does and the following is an example.
As
MC makes his way through a route corridor, a handful of Marines
are crouched behind a makeshift barricade, in an intense firefight
with the invading Covenant. MC assesses the situation and takes
a Sergeant’s assault rifle and two grenades from the Sergeant’s
belt clip and steps up to the barricade. Beneath him, a Marine
Corporal crouches holding an M6D pistol in hand. The Corporal’s
nametag reads JENKINS. MC chucks the two grenades into the shadows.
He empties his clip. After the double detonation of the grenades,
a GRUNT appears. The foot soldier of the Covenant army. Normally
– stocky, broad, and powerful. But this Grunt is dazed and
badly wounded. Blue blood is splashing from his torso. MC reaches
down and takes the Corporal’s M6D pistol. He glances at
the handgun – and sees that the Corporal has customized
it. Carved into the metal are the words: NOTHING PERSONAL. MC
raises the pistol and puts a single round through the head of
the wounded Grunt. The awestuck Jenkins lets MC keep his handgun.
MC enters the bridge and reports to Keyes who gets MC up to speed
and tells him they’re in the shit. Keyes tells MC that he
is going to get Cortana off this ship and keep her safe from the
enemy. The Pillar of Autumn is going down and Cortana is not going
down with it. Destruction or capture of the shipboard AI is not
an option. If the Covenant captures her, they’ll learn everything.
Force deployment, system schematics, weapons research. Not to
mention the location of planet Earth.
Meanwhile, on the lower deck Major Silva and the
Helljumpers are locked in their own savage firefight. Keyes gives
the order over the ship wide intercom to abandon ship and to take
lifeboats, drop-ships, any means of escape available. Regroup
on the ring. Back on the bridge, MC stands with Keyes who uses
his fingerprint to unlock and open a section of the central bridge
console. MC takes the Cortana chip and inserts it into a dock
in his mjolnir armor – positioned in the back of his neck,
the brain stem. MC leaves and makes his way down a narrow service
tunnel towards the main corridor to the lifeboats. A covenant
soldier stands in his way, an ELITE – tall, armored, athletic,
in a sense the alien equivalent of the Spartan. A cobra strike
– a classic game move, MC strikes with the butt of his assault
rifle, taking out Elite’s shields and empties a clip into
the alien’s torso. Thirty rounds fly through the gun in
two seconds. MC then takes out 4 other grunts. Cortana is in good
hands. She can talk to MC through his suit, which is hardwired
into his neural network, and she is hardwired into his suit. An
Elite, three jackals and four grunts get dropped and shredded
with rounds as we see what it is like to be on the receiving end
of a Spartan attack. MC makes it to the Lifeboat with some wounded
marines. A female Lieutenant pilots the craft towards Halo. We
follow the lifeboat as it enters Halo’s interior curve.
We see other lifeboats from the Pillar of Autumn, following the
same downward path, like a miniature meteor shower. The lifeboat
crashes on Halo and only MC survives. MC steps out and watches
the Pillar of Autumn crash land on Halo’s surface. MC hides
and watches as some grunts and Blue and Black Elite search for
survivors from the lifeboat crash. They see a foot print of MC
and go after MC in GHOSTS – lightweight-scouting vehicles,
each piloted by a single Elite, armed with two plasma canons.
MC takes them out – won’t spoil it here but a cool
sequence. MC pilots one of hijacked ghosts and plasma canons a
firefight between surviving Marines from another lifeboat and
the Covenant.
And that is just Act 1 or the first 30 pages of
this tour de force 128 page script!
Here
is a sneak peek of some key scenes in the beginning of Act 2,
which starts with MC talking to the Sergeant and tells him he
needs to regroup with the other survivors who must be scattered
all over. The Sergeant made contact with a Pelican drop ship pilot
who survived, name of Carol Rawley. Call-sign- FOEHAMMER. Apparently,
Foehammer and MC go back.
At the crash Pillar of Autumn crash site –
the Covenant swarm above it excited and triumphant at the destruction
of the enemy vessel. Inside, Captain Keyes and some flight deck
crewmembers survived the crash in the bridge. A cluster of Plasma
grenades blows the barricade to the bridge apart. The Covenant
forces swarm over the destroyed barricade and pour into the bridge.
We meet the JACKAL: the slender, hunched, bird-like Covenant.
The Jackal advances with its comrades like a roman centurion,
firing from and crouching behind the distorting window of an energy
shield. They slaughter the survivors and swarm over Captain Keyes.
The survivors of the Pillar of Autumn manage to
make a base camp.
MC sustained an injury with his
tussle with the Ghost – MC removes the breastplate of his
armor. Beneath is a black body suit made of flexible material,
and on this body suit, we can see various lacerations around his
torso. Through these lacerations, MC’s torso is partially
revealed, and we catch our first glimpse of his actual flesh.
His skin is colored an abnormal sunless snow-white.
MC dreams again and Cortana appears in her purplish
blue light form in the form of a hot chick. MC removes his helmet
– his skin is bleached white and his head his shaved to
the scalp. The dream is of Planet Reach where one hundred and
sixty four men, women, and children died. The Spartans failed
to defend it. MC is the last of the Spartan who was airlifted
out of there by Foehammer. For the fans that must know, we don’t
really ever see MC’s face. Later on in the movie towards
the end, on an extreme close-up on MC’s Face we occupy the
same space he does, inside his suit. We see a series of flash
cuts: his skin, his mouth, and his eyes. The face is marked with
a fine mesh of scars, suggesting past injuries, or surgical procedures,
or even experiments. His skin is a map of past conflict. To me
it appears that MC is albino.
Anyway,
at the base camp Major Silva and his boys interrogate a captured
Elite. We find out that Keyes let himself be taken alive. The
Covenant has him on board their orbiting battle cruiser: Truth
and Reconciliation. Cortana finally appears to everybody and tells
Silva that they are going in there because it is an opportunity
for an AI to access the Covenant computer system. If they could
get Cortana to any kind of control panel, they could learn everything
about the Covenant – their weaknesses, their plans. It’s
the kind of breakthrough that could turn the path of this war.
MC, Major Silva and the Helljumpers manage to
sneak onto the loading bay of the Covenant ship Truth and Reconciliation.
They run into HUNTERS: Twelve foot tall, six foot wide, covered
head to toe in blue armor, a Fuel-Rod canon integrated into the
right arm – which glows green as it is charging up to fire
– and a shield integrated into its left arm.
The group finds Captain Keyes in one of the torture
cells. He is strapped to an intricate machine, organic in design,
crackling with energy. From the machine, around his bare arms
and torso, are literally thousands of tiny barbed segmented needle
– like insect legs. They are buried in his flesh.
The midpoint of the script takes place at base
camp where Cortana, holographicly manifested, debriefs Captain
Keyes, Major Silva, Master Chief, Foehammer, and a handful of
marine officers. The orbital was constructed by an ancient race,
known by the Covenant as the “Forerunners.” It seems
that they left ruins and artifacts all over the galaxy. Some of
those artifacts are the technology that the Covenant employs.
And another of those artifacts is this ring they call Halo. The
Covenant decided, for reasons best known to themselves, that humankind
was an object of blasphemy, requiring extinction. In Halo, we
now appear to have found an object of worship. Halo is their church,
and the Forerunners are their Gods. According to the Covenant
message traffic, Halo is a weapon. What kind of weapon isn’t
clear, the Covenant themselves don’t know but they repeatedly
describe the destructive power as ‘unimaginable.’
When the Pillar of Autumn crashed, the Covenant believes it disrupted
something under the ring surface. The mission is clear. If Halo
is a weapon, then the Covenant must be prevented from being able
to use it. The Covenant refers to a location called “The
Silent Cartographer”. It seems to be a map room, which reveals
the position of Halo’s control center. Obviously, that control
center is the best bet of shutting the system down.
Usually the midpoint act break is where I end
my script reviews but to those entire Halo fanatic out there who
must know what else happens and what else is in it –
-
There is a Beach attack sequence between the Marines and the Covenant.
MC pilots the warthog – the multi terrain four-wheel vehicle
and we get to see MC driving ability. We see the Grunts use the
needlers in this sequence too.
- Inside Halo, the Marines are ambushed by the
Stealth Elite who brandish their energy swords and literally cut
their enemies in half. Cool sequence.
- Later we see the FLOOD INFECTION FORMS –
each the size of a football, bloated, propelled by a seething
carpet of small tentacles on the underside on the underside of
its main form. We also see the horror and goriness of the Flood
infection vessels upon the infected marines and Covenant.
We meet the monitor of Zero Four – 343 Guilty
Spark who annoys MC.
There are some other twists and turns and I am
not going to spoil the end but it’s huge! Hardcore fans
of the series won’t be disappointed because the ending is
from the game. I won’t say which one though. Wait until
2007 to find out.
There ya have it folks. A look at one of the big
upcoming films of 2007 and Peter Jackson’s next project.
Come back next week when we have
yet another script review.
UPDATE: Howdy
Folks! El Mayimbe here. With all the Halo madness going on around
the planet because of our story I feel I have to make an announcement.
First I want to offer my apologies to the filmmakers and people
involved with Silent
Hill and Hitman. There was a
lot of confusion, which I want to clear up. First of all, that
Hack Uwe Boll is nowhere near Silent Hill or Hitman. I didn't
even mean to put those two films in the same sentence as that
guy. My statement was taken out of context. What I meant to say
is that talk of all those other video game movies like those I
mentioned or coming or any of the other Uwe Boll adaptations like
Postal and Bloodrayne. Silent Hill has an awesome shooter in Christophe
Gans and the script for Hitman is currently being written. I'm
sure those two movies will turn out fine.
All I am merely saying in my opinion because of the level of quality
surrounded with Halo, that Halo will be the 800 pound gorilla
to beat, which will most likely set the standard for video game
movies which all others will be measured against. That's all.
No disrespect to Silent Hill or Agent 47 himself Hitman. My bad
folks.
Now to all you Halo non-believers and talk backers out there.
I can't believe people actually believe that my script is fake.
The script isn't fake. Hell no man. I have been doing script reviews
for the longest now and have the most reliable sources within
the industry that have supplied me with my scripts for the longest.
The Halo script is no different than the others I have gotten.
I get screenplays on an almost daily basis. Some are bigger than
others and eventually every Hollywood movie that comes form a
script, that script is put into a "system" where you
have to work and make your living in the business side of the
movie industry like myself to access these screenplays. I just
didn't get the Halo script from some Mom and Pop shop in Hollywood;
I got the script from my always-credible sources. Nobody has that
kind of time to write a "fake" screenplay. I don't personally
believe in fake scripts being put out there within the industry.
Any other Hollywood insider with the access like mine that gets
the Halo script will more than likely get the one I had because
that is the one within the "system” Do scripts change?
It's called the development process, which for the most part in
my opinion have made great scripts mediocre. I think as a majority,
the development process is counterproductive. Will the Halo script
change? Absolutely and the Halo script will change here and there
but we at Latinoreview believe that the story we presented in
the draft dated February 6th, 2005, 128 pages, written by Alex
Garland, will be the bulk of what the story is about. In Staten's
last great Hollywood journey entry, he said revisions where coming.
Part of my dismay as a script reviewer is that some great scripts
that we review end up becoming lousy like the 50-cent movie for
example. Read my review of the film tomorrow and check out my
script
review of Get Rich or Die Tryin' as an example.
But my scripts are the real deal. I am not some fraud. All the
major film sites around the planet link to my script reviews because
they know I'm legit. So for all you Halo fans that are in denial
snap out of it.
I stand by my story. The Halo script I got is real and I publicly
dare Bungie to challenge me otherwise.